Homilies on the Six Days of Creation · §26 · Basil of Caesarea

Literal sense defended; God approves each work as good

Basil is closing Homily 3 on the firmament, rejecting allegorical readings of the waters above and explaining why God saw that the work was good.

If someone says that the heavens are the contemplative powers and the firmament is the practical and productive powers concerned with duties, we accept the argument as elegant, but we will not at all grant that it is true. For by that logic dew, frost, cold, and heat—since they were commanded in Daniel to hymn the creator of all things—would be some intelligent and invisible nature. But when thoughtful people interpret the language in these passages with discernment, it is a completion of the praise of the creator. For not only does the water above the heavens fulfill its praise to God, as holding first place in honor because of the superiority it possesses from virtue, but, as it says, 'Praise him, also the things from the earth, dragons and all deeps' (Psalm 148:7). So even the deep, which the allegorizers cast away into the worse portion, was not judged rejectable by the psalmist, but was received into the common chorus of creation; and it too, according to the principles inherent in it, harmoniously completes the hymn to its maker.

And God saw that it was good. The things made by God do not provide pleasure to God's eyes, nor is his acceptance of good things the same as ours. Rather, what is good is what has been completed by the principle of his art and what conduces to the useful service of its purpose. So the one who set before himself the clear goal of the things being made, and who examined each thing made in its parts as contributing to the completion of that end by his own artistic principles, approved them. After all, a hand by itself, an eye on its own, and each of the limbs of a statue lying separately would not appear beautiful to just anyone; but when they are set in their proper order, the beauty that comes from proportion becomes evident, even to the untrained eye, though only with difficulty. The craftsman, however, knows the beauty of each part even before the composition, and he praises each individual part, referring his thought back to their end. Such, then, is the kind of artistic praiser of the individual works that God is now recorded to be; and he is going to complete the fitting praise also for the whole world together when it is finished.

But let our words about the second day come to an end here, so as to give the diligent hearers time to examine what they have heard, so that if there is anything useful in it, they may hold it fast in memory, and through diligent meditation—as through a kind of digestion—await the distribution of what is beneficial. And for those occupied with the affairs of life, let this interval give them leisure to set their cares in order, so that with a soul cleansed of anxieties they may come to the evening feast of words. May the God who created the great things and who has arranged for these small things to be spoken give you understanding in all his truth, so that from the things that are seen you may perceive the invisible, and from the greatness and beauty of the creatures you may take up the fitting glory concerning the one who created us. For his invisible things, understood from the creation of the world by the things made, are clearly seen, both his eternal power and divinity (Romans 1:20), so that in earth, in air, in heaven, in water, in night, in day, and in all things visible, we may receive clear reminders of our benefactor.

Greek

Κἂν λέγῃ τις οὐρανοὺς μὲν εἶναι τὰς θεωρητικὰς δυνάμεις, στερέωμα δὲ τὰς πρακτικὰς καὶ ποιητικὰς τῶν καθηκόντων, ὡς κεκομψευμένον μὲν τὸν λόγον ἀποδεχόμεθα, ἀληθῆ δὲ εἶναι οὐ πάνυ τι δώσομεν. Οὕτω γὰρ ἂν καὶ δρόσος, καὶ πάχνη, καὶ ψῦχος, καὶ καῦμα, ἐπειδὴ ὑμνεῖν παρὰ τῷ Δανιὴλ τὸν τῶν ὅλων δημιουργὸν ἐπετάχθη, νοερά τις ἔσται καὶ ἀόρατος φύσις. Ἀλλ' ὁ ἐν τούτοις λόγος παρὰ τῶν νοῦν ἐχόντων τεθεωρημένως ἐκλαμβανόμενος, συμπληρωτικός ἐστι τῆς δοξολογίας τοῦ κτίσαντος. Οὐ μόνον γὰρ τὸ ἐπάνω τῶν οὐρανῶν ὕδωρ, ὡς προηγούμενον ταῖς τιμαῖς διὰ τὴν ἐξ ἀρετῆς προσοῦσαν αὐτῷ ὑπεροχὴν τῷ Θεῷ τὸν αἶνον ἀποπληροῖ, ἀλλ', Αἰνεῖτε γὰρ αὐτὸν, φησὶ, καὶ τὰ ἐκ τῆς γῆς, δράκοντες καὶ πᾶσαι ἄβυσσοι. Ὥστε καὶ ἡ ἄβυσσος, ἣν εἰς τὴν χείρονα μοῖραν οἱ ἀλληγοροῦντες ἀπέρριψαν, οὐδὲ αὐτὴ ἀπόβλητος ἐκρίθη τῷ ψαλμῳδῷ, εἰς τὴν κοινὴν τῆς κτίσεως χοροστασίαν παραληφθεῖσα, ἀλλὰ καὶ αὐτὴ κατὰ τοὺς ἐνυπάρχοντας αὐτῇ λόγους ἁρμονίως συμπληροῖ τὴν ὑμνῳδίαν τῷ ποιητῇ. 3.10 Καὶ εἶδεν ὁ Θεὸς ὅτι καλόν. Οὐχὶ ὀφθαλμοῖς Θεοῦ τέρψιν παρέχει τὰ παρ' αὐτοῦ γινόμενα, οὐδὲ τοιαύτη παρ' αὐτῷ ἡ ἀποδοχὴ τῶν καλῶν, οἵα καὶ παρ' ἡμῖν· ἀλλὰ καλὸν τὸ τῷ λόγῳ τῆς τέχνης ἐκτελεσθὲν, καὶ πρὸς τὴν τοῦ τέλους εὐχρηστίαν συντεῖνον. Ὁ τοίνυν ἐναργῆ τὸν σκοπὸν τῶν γινομένων προθέμενος, τὰ κατὰ μέρος γινόμενα ὡς συμπληρωτικὰ τοῦ τέλους, τοῖς τεχνικοῖς ἑαυτοῦ λόγοις ἐπελθὼν ἀπεδέξατο. Ἐπεὶ καὶ χεὶρ καθ' ἑαυτὴν, καὶ ὀφθαλμὸς ἰδίᾳ, καὶ ἕκαστον τῶν τοῦ ἀνδριάντος μελῶν διῃρημένως κείμενα, οὐκ ἂν φανείη καλὰ τῷ τυχόντι· πρὸς δὲ τὴν οἰκείαν τάξιν ἀποτεθέντα, τὸ ἐκ τῆς ἀναλογίας, ἐμφανὲς μόλις ποτὲ, καὶ τῷ ἰδιώτῃ παρέχεται γνώριμον. Ὁ μέντοι τεχνίτης καὶ πρὸ τῆς συνθέσεως οἶδε τὸ ἑκάστου καλὸν, καὶ ἐπαινεῖ τὰ καθ' ἕκαστον, πρὸς τὸ τέλος αὐτῶν ἐπαναφέρων τὴν ἔννοιαν. Τοιοῦτος οὖν δή τις καὶ νῦν ἔντεχνος ἐπαινέτης τῶν κατὰ μέρος ἔργων ὁ Θεὸς ἀναγέγραπται· μέλλει δὲ τὸν προσήκοντα ἔπαινον καὶ παντὶ ὁμοῦ τῷ κόσμῳ ἀπαρτισθέντι πληροῦν. Ἀλλὰ γὰρ ἐνταῦθα ἡμῖν οἱ περὶ τῆς δευτέρας ἡμέρας καταληξάτωσαν λόγοι, ὥστε τοῖς μὲν φιλοπόνοις ἀκροαταῖς καιρὸν παρασχεῖν τῆς ὧν ἤκουσαν ἐξετάσεως, ὥστε εἴ τι χρήσιμον ἐν αὐτοῖς, τοῦτο τῇ μνήμῃ συσχεῖν, καὶ διὰ τῆς φιλοπόνου μελέτης, οἷον διά τινος πέψεως, τὴν τῶν ὠφελίμων ἀνάδοσιν ἀναμεῖναι· τοῖς δὲ περὶ τὸν βίον ἀσχολουμένοις δοῦναι σχολὴν διὰ τοῦ μέσου χρόνου τὰς φροντίδας διαθεμένοις, καθαρᾷ μεριμνῶν τῇ ψυχῇ πρὸς τὴν ἑσπερινὴν τῶν λόγων ἑστίασιν ἀπαντῆσαι. Ὁ δὲ τὰ μεγάλα δημιουργήσας Θεὸς, καὶ τὰ μικρὰ ταῦτα λεχθῆναι οἰκονομήσας, δώῃ ὑμῖν σύνεσιν ἐν παντὶ τῆς ἑαυτοῦ ἀληθείας, ἵν' ἐκ τῶν ὁρωμένων τὸν ἀόρατον ἐννοῆτε, καὶ ἐκ μεγέθους καὶ καλλονῆς τῶν κτισμάτων τὴν πρέπουσαν δόξαν περὶ τοῦ κτίσαντος ἡμᾶς ἀναλαμβάνητε. Τὰ γὰρ ἀόρατα αὐτοῦ ἀπὸ κτίσεως κόσμου τοῖς ποιήμασι νοούμενα καθορᾶται, ἥ τε ἀΐδιος αὐτοῦ δύναμις καὶ θειότης, ὥστε καὶ ἐν γῇ, καὶ ἐν ἀέρι, καὶ ἐν οὐρανῷ, καὶ ἐν ὕδατι, καὶ ἐν νυκτὶ, καὶ ἐν ἡμέρᾳ, καὶ ἐν πᾶσι τοῖς ὁρωμένοις ἐναργῆ λαμβάνειν ἡμᾶς τοῦ εὐεργέτου τὰ ὑπομνήματα.